Saturday, July 10, 2010
Tuesday, May 5, 2009
Julia Haack
Monday, March 30, 2009
Family Portraits - Mark Kang-O'Higgins
Family Portraits
Mark Kang-O'Higgins
April 2 - April 30
Opening Reception: Thursday April 2, 2009
www.kangohiggins.com
Artist's Statement: My work is firmly rooted in the figurative tradition. This has brought me work as a fine art instructor and as a commission portrait artist. I am interested in the human condition in both the physical and emotional sense.
Much of my work is formally concerned with solid objects/masses in space. I am interested in how objects/beings unfold themselves in space, manifest themselves, and realize themselves as objects and beings, spatially and mentally. In short how objects and beings emanate as physical and mental energy. In my work I want to describe their presence, in every sense of the word: both presence as individuals or events and presence in relation to (or in juxtaposition with) other events and environments.
The synthesis of an individual consciousness with its surroundings and the interaction of different consciousnesses are of particular interest to me from a phenomenological and existential point of view. Recently my work was also concerned with masked or depersonalized intelligences – how individuals can, at times, find each other unfathomable in the Wittgensteinian sense. Specifically, that of one individual never truly being able to know the mind of another and therefore being forced into speculation. Most recently, however, the philosophical questions and issues that my work springs from and attempt to address have been tempered by my desire to additionally represent the simple beauty and mystery of creation.
Monday, March 2, 2009
Shallow Cuts
More at . . . .
tracylang.net
langprints@gmail.com
Monday, February 9, 2009
Thursday, February 5, 2009
Accents and Slangs
Wednesday, January 7, 2009
Karen Hackenberg Review
What’s your spirit animal? In her series of diptych oil paintings, Northwest artist Karen Hackenberg posits a strange human-animal kinship. These man-beast portraits, “Divining Line” (through Jan. 30), pair man and bear, woman and fox, guy and cat, etc. with a frontal candor and cheer. This is not the kitschy sensibility of screaming eagle T-shirts or unicorn scenes painted on panel vans. Rather, Hackenberg’s subjects—at least the homo sapiens among them—pose with a kind of unguarded earnestness, as if to say, “This is who I am” or “This is what I’d to be”—a secret affinity openly expressed. Or more simply, “This is my best friend.” Do the bears and foxes and felines feel the same way about us? Likely not, and that’s where the mystery enters into these canvases. They’re half obvious, half inscrutable. We humans are perfectly plain about what we want (be it to fly like an eagle or swim like a dolphin). But we never truly know the thoughts of the objects of our ardor—or if they think at all. Hackenberg’s naïve realism suits this dichotomy nicely. Also on view, her images of cattle (like a trip to Black Angus!) and barns give the show a neo-Americana vibe (Hackenberg is based in Port Townsend). Her series of pencil and charcoal studies of rooftop exhaust fans also reflects the same shed-and-tractor milieu; these humble, ubiquitous objects are like water tanks in New York—functional and elegant, yet in this case a novelty to us city-dwellers. OK Hotel, 212 Alaskan Way S., 264-1688, www.karenhackenberg.com. Free. 9 a.m. to 5 p.m. BRIAN MILLER





